Every Point in the Universe is Also the Centre is Olivia’s response to paper and its history. Her work has often contained the phenomenology of reflection as medium and subject. One of the earliest uses of paper was as packaging for bronze mirrors in ancient China. For Olivia this became the starting point for the residency and the subsequent work that she developed for her solo show.
What it results in is an ephemeral reflection on present-ness and time; a flash into clarity for a moment, in printed and photographed form. Within the exhibition Olivia attempts to capture the ephemeral. Shadows are captured from dappled light through trees, and bark is both projected and printed onto paper - traditionally made from the same source. Round mono-prints of traditional Chinese mountain river scenes are stretched into screens and used to catch light from projectors. Large hanging prints on tracing paper echo the glass used in frames and screens; hand made, imperfect and veiling. These layers build and reveal to allow views of different stages of printed work, but never reveal the original, like memories always evading perfect recall.
Olivia Punnett is a UK based artist & lecturer. She holds an MA with Distinction in Fine Art. Punnett’s practice is diverse, encompassing a range of media including printmaking, installation, film, sculpture and projection. In 2013 she was the recipient of the AHRC award for her Masters, and in 2015 was awarded the SIA commission from Sheffield Institute of Arts. She is a member of The Editions publishing group and her work is held in the British Library, and the Tate Library and Archive, Tate Britain.
What it results in is an ephemeral reflection on present-ness and time; a flash into clarity for a moment, in printed and photographed form. Within the exhibition Olivia attempts to capture the ephemeral. Shadows are captured from dappled light through trees, and bark is both projected and printed onto paper - traditionally made from the same source. Round mono-prints of traditional Chinese mountain river scenes are stretched into screens and used to catch light from projectors. Large hanging prints on tracing paper echo the glass used in frames and screens; hand made, imperfect and veiling. These layers build and reveal to allow views of different stages of printed work, but never reveal the original, like memories always evading perfect recall.
Olivia Punnett is a UK based artist & lecturer. She holds an MA with Distinction in Fine Art. Punnett’s practice is diverse, encompassing a range of media including printmaking, installation, film, sculpture and projection. In 2013 she was the recipient of the AHRC award for her Masters, and in 2015 was awarded the SIA commission from Sheffield Institute of Arts. She is a member of The Editions publishing group and her work is held in the British Library, and the Tate Library and Archive, Tate Britain.
Exploring PAPER is supported by Arts Council of England through Grants For the Arts.
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