Tracey’s work appropriates representations of landscape by selecting and then layering together imagery found and collected from science fiction and romantic literature, the English landscape painting tradition, and heritage publications. The works are consequently delicate, precarious, and at times, in a part state of collapse. This precariousness speaks of our relationship with the natural environment, which we attempt to encapsulate and frame with constructs of identity, class, and ownership. To this end, the use of gold comes from an interest in history as a valorising force that engenders social and cultural connection and identity.
Although subject to different readings, the Tower of Babel was a collaborative attempt by all peoples of the world to make their proud mark on the landscape, and as a way of punishment for this pride, God segregated them by the introduction of different languages so they could not communicate with one another. The collapsed tower, then, speaks of the inevitable superiority of natural forces over human permanence. Tracey’s tower fable also has a contemporary reading by referencing the current political 'confusion' or disharmony between different cultures and languages that we are experiencing in a post-Brexit world. We are in a time where peoples of different heritage, faiths, and geographic locations are being portrayed as increasingly segregated and divided; thus, a collapsed aspirational tower feels apt.
Although subject to different readings, the Tower of Babel was a collaborative attempt by all peoples of the world to make their proud mark on the landscape, and as a way of punishment for this pride, God segregated them by the introduction of different languages so they could not communicate with one another. The collapsed tower, then, speaks of the inevitable superiority of natural forces over human permanence. Tracey’s tower fable also has a contemporary reading by referencing the current political 'confusion' or disharmony between different cultures and languages that we are experiencing in a post-Brexit world. We are in a time where peoples of different heritage, faiths, and geographic locations are being portrayed as increasingly segregated and divided; thus, a collapsed aspirational tower feels apt.
Installation Views